The Golden Age Of French Film Music

Soundtrack
  1. MAURICE JAUBERT - Quatorze Juillet
  2. MAURICE JAUBERT - Le Quai Des Brumes (Port Of Shadows)
  3. MAURICE JAUBERT - L'Atalante
  4. GEORGES AURIC - Orphee (Orpheus)
  5. MAURICE JARRE - L'Univers D'Utrillo
  6. MAURICE LE ROUX - Le Ballon Rouge (The Red Balloon)
  7. JOSEPH KOSMA - Les Portes De La Nuit (The Doors Of The Night)
  8. HENRI SAUGUET - Farrebique
  9. MAURICE JAUBERT - Actualites (Current Affairs) (Exposition de la Presse – Réception officielle – Kangourou boxeur – Application industrielle de l’eau – Attentat sur la voie ferrée – Le Derby)

 

 

 

 

Film music has existed for a little more than a quarter of a century in a few essential moments.

In this quite mysterious and harmonious collaboration of the senses of sight and hearing, which is the result of the poetic force of film music, and so different from the stylised convention of the Ballet and of the Opera, picture and sound always remain inseparable. For, in this case, the only raison d’être of the music is to act as a spritual aspect of the visual, and not as a commentary added afterwards. A ‘living music’, as the writer Jacques Prévert termed it at the beginning of his homage to Maurice Jaubert, thus ardently refuting the ridiculous but commonplace idea that the best film music is ‘that which goes unheard’It is music which ‘enables us to see’ as much as to hear, because it is a ‘living’ thing.

The Golden Age Of French Film Music • The Golden Age Of French Film Music • The Golden Age Of French Film Music • The Golden Age Of French Film Music •

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